“Livin Like a Local”, finds Liz Nash gliding through commentary with razor-sharp wit and an even bigger embrace, standing as a very creative narrative that leaves anyone with a big smile on their face.

“Like a Top” finds Michellar diving towards a ballad-ish soft pop with jazz inclinations, proving yet again that she can do anything.

Through the deeply energizing soundscapes and beat poetry, Kat Kikta calls upon a vengeful deity to break the chains and bring forth the truth about the relationship.

On “Self-luminescent”, Garbage Garden is at their most introspective yet, moving between reality and distortion with relentless determination as it explores deeper meanings of identity and existence itself.

Moon and Aries are no strangers to writing about emotional awakening and the yearning for connection, but things feel slightly different and more mature on “High Noon”.