
Fueled by delightful melodies that range from old-school musings to comforting chamber-pop inspirations, Paint finds Pennan Brae flexing his songwriting in a myriad of different directions.

Tom Minor’s upcoming release, Change It!, is an electrifying fusion of Funk and Indie Rock that pulsates with groovy bass lines, vibrant electric guitar strums, and…

“LAST DANCE” by Vanilla.6 is one of the record’s brightest moments, truly highlighting ook-boy’s abilities to merge western pop sensibilities with the insane dynamics of j-pop.

“Four Songs for Christmastime”, conducted by composer Chloe May Evans, show Hilgrove Kenrick’s aptitude for capturing things that cannot be put into words.

A refreshing track that puts feelings and emotions first, “Levitate at Christmas” by Carlos Ucedda is an exciting and utterly unique take on the holidays that can be enjoyed all year round.

Grim Logick and iLLLogick crafted a tightly knit soundscape in which anything can happen, and the artists power through it just like they’ve been doing for a decade.

Blake’s new record reveals itself as both uplifting and profound, offering political and social commentary with levity through old-school lenses that, ironically, give it a refreshing sensibility in 2025.

On her new song, Kate Kristine delivers her lines with the raw sincerity of a private diary entry, not made to be read by anyone else, and asserts her own desires to break free from the situation.

Sandro Ferro’s music feels full and backed by so much history, adding layer upon layer of depth and meaning to every beat and word, turning it into an atmosphere that is highly celebratory and intoxicating.

Hailing from the vibrant heart of Burton-on-Trent, England, Mukka & The Wizard Sleeves is a fiery, poetic punk collective that electrifies audiences with their fierce riffs, rapid-fire rhymes, and unapologetic storytelling.

Ugly When You Love Me is an energetic, spirited track that places Exzenya once again among the most unique and intriguing musical artists since Björk.

Tom Minor’s tongue had never been more firmly placed in his cheek, and his ability to ferociously criticize the political mess we’re in, and especially in the UK, with razor-sharp humour, is at an all-time high.

Michellar has a way of delivering melodies and lines that is incredibly gentle and soft, making her lyricism shine through with introspection and remarkable joy, even in her most melancholic moments.

“Let the Girl Have Her Fun” by FREDRYD immediately impresses with its soft, dreamlike atmosphere and whispery vocals.

John Goldrust finds profound healing through music, crafting his songwriting from abstract ideals and first principles rather than simply echoing other artists or adhering to established formulas.

Michellar stands her ground once more as an insightful and sensible artist who understands the importance of the little things, and “The Star” embodies this with a fragile acceptance of its ephemerality.

The Hovercraft restoration project shows that even though these songs were written thirty years ago, the tracks still feel hauntingly modern on their themes and sound.

With an exhilarating career that has flourished for about five extraordinary years, this electrifying Leicester trio, 9 o’clock Nasty, relentlessly pushes boundaries, constantly evolving while fiercely staying true to the very essence that makes them uniquely authentic and undeniably captivating.